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Posted: 11/29/00
DAG
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DAG marks the return to series tv for Delta Burke, comic genius. She is, of course, best known for her Emmy nominated role as Suzanne Sugarbaker on Designing Women. Burke left the series in 1991 and hasn't landed in a hit since. In DAG she stars as self-absorbed First Lady, Judith Whitman. After its largely watched premiere on NBC Tuesday, November 14th (top 25 in the Nielsens) - Burke might have another hit on her hands.
The first episode set the premise of the series as Secret Service Agent Jerome Daggett (David Alan Grier), one of the top agents on staff, was assigned to protect the President of the United States. However, Daggett is promptly re-assigned to the less glamorous B-Team that protects the demanding First Lady, perfectly portrayed by the wonderful Delta Burke. His new team is quite the piece of work as well, which lends itself to weeks and weeks of laughs. Daggett, being highly trained and overly serious begins struggling to bring order to the First Lady's unit. His challenges are mainly the staff including Edward Pillows (Stephen Dunham), who thinks he's great, he looks the part of a great agent, but can't quite get his act together and Susan Cole (Emmy Laybourne from Superstar), a female agent who spends most of her time training and only about three hours a night sleeping.
Daggett's greatest challenge, and DAG's greatest source of comedy, is the First Lady herself. She's not big on protocol or White House rules. For example, in the second episode, Camilla needs, desperately, to talk to her mother so Judith and she go undercover, wearing platinum wigs and dining out at a nearby family restaurant - without telling anyone, least of all Agent Daggett. This of course sends him and his staff into a frenzy to try and figure out where the First Lady is. The worst possibilities are considered: kidnapping, terrorists, etc.
DAG has one pitfall so far, it has a somewhat over-produced, calculated feel but its easy to get past that because Burke and Grier have outstanding comic chemistry between them. Also I appreciate the ensemble feeling, not just focusing on the two main characters but instead using the strengths of the Robert Bach is a writer and musician and former entertainment editor for an East Coast publication. Got a problem? Email Robert at filmmonthly@hotmail.com |